2-9. What Family Actually Means.

Nomi becomes the focus of unwanted 

attention at her sister's wedding.

Running Time: Approx. 57 minutes. Written by: Lana Wachowski, J. Michael Straczynski. Directed by: Lana Wachowski.


THE PLOT:

As the wedding of Nomi's sister approaches, Nomi prepares to act as the Maid of Honor - even as she contends with hostility from her family, particularly her mother (Sandra Fish). With support from both her sister and Amanita, she deals as well with that as is possible... But the dogged Agent Bendix (Anthony Cistaro) remains determined to arrest Nomi, and to do so in the most public way he can.

In Mexico, Dani finds the perfect comeback script for Lito, who continues to despair over the unraveling of his career. Through stubbornness, charm, and a few well-placed lies, she manages to secure him an audition. In Hollywood.

Meanwhile, Capheus discovers that his political opponents have placed a price on his head. Wolfgang continues to evade both Fuchs and the police. And Will receives distressing news about his father (Joe Pantoliano).


CHARACTERS:

Season Two has been a veritable showcase for Jamie Clayton's Nomi, and much of this episode's best material goes to her. Early on, she considers leaving the reception, claiming a headache to avoid speaking in front of her family and their friends.  Then her mother approaches her, acidly suggesting that she do exactly that - Which prompts Amanita to observe that she now has to give the speech.  She does so - with just the right amount of nervousness and defiance. Nomi's hint of self-absoprtion does come through, as the speech is very much centered on herself, but her caring for her sister also shines through as she turns the focus more and more to her sister's kindness.

Freema Agyeman continues to impress as Amanita. When Agent Bendix shows up at the wedding, it doesn't take long for her to realize that in his arrogance he hasn't checked with his superiors about Nomi's current status. She has no way of verifying her suspicion - But she knows Bendix's brand of arrogance very well, and intercedes. She quickly gets the crowd on her side, notably Nomi's father; and while I wouldn't give the scene high marks for realism, it is a definite crowd-pleasing bit, perfectly carried off by Agyeman.

What Family Actually Means also gives Eréndira Ibarra her best scene to date. When a depressed Lito insists that a Hollywood producer would never look at him for the role in Iberian Dreams, Dani responds with swaggering self-confidence. She picks up the phone, asks Lito and Hernando to time her, then proceeds to make a series of calls. She switches from earnest to flirty to disinterested and back again as she talks first to someone connected with the film, then to an entertainment journalist, then back to the first person, weaving a picture of Lito as an in-demand presence who may not even be available to make the film. Before a single hour elapses, she is speaking with the director, who is locking in the audition. Would this really work, let alone in such a short time? I highly doubt it. Does it make for a great scene, not to mention a fantastic acting showcase for Ibarra? You bet.


THOUGHTS:

The BPO plotline moves very much into the background for What Family Actually Means. There are a few developments, as Riley and Diego find the house of the woman who contacted Riley, uncovering the hidden lab where Whispers conducted experiments. But the bulk of the focus is on individual character threads, particularly the Nomi and Lito strands. This is very much a good thing. As I've said before, the BPO plot is effective in giving the show structure and momentum, but it's never been the focus of my interest. The moments that linger in my mind have nothing to do with Evil Corporate Conspiracies, and everything to do with strong character writing.

There is a heightened sense to this episode's "big moments." As I indicated above, the showcase scenes for Amanita and Dani aren't necessarily realistic. Bendix would likely have an officer arrest Amanita for interfering before she got three words out, with the mess untangled by lawyers some time later. Dani would be unlikely to bluff Lito into an audition with just a few phone calls; even if she was able to successfully bring the pieces together, it would be the work of days, not a single hour. But in an episode centered around a wedding, there's something appropriate in the inclusion of semi-operatic set pieces. Both scenes are enormously fun to watch, and it's a treat to see characters who were initially defined in relation to main characters being allowed to fully claim the spotlight.

With so many moments of triumph, it's a given that somebody will receive an emotional smackdown. This time, it's Will, who learns that his father is dying. He isn't able to physically go to him, and has to settle for saying goodbye through Riley. The scene is entirely too relatable to anyone who has ever lost a close family member (which is to say, pretty much anyone over the age of 30), and the performances of Brian J. Smith and Joe Pantoliano sell the emotion beautifully, visually intercutting between the deathbed conversation and the shared memory of a childhood game of catch.

If the episode is a last drawing in of breath before the run up to the finale, then that scene is a perfect moment of stillness before letting it go. A beautifully moving final moment in a thoroughly engaging installment.


Overall Rating: 9/10.

Previous Episode: All I Want Right Now Is One More Bullet
Next Episode: If All the World's a Stage, Identity Is Nothing but a Costume



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1-2. I Am Also a We.

Nomi and Amanita share a happy moment

 before everything goes wrong.

Running Time: Approx. 54 minutes. Written by: The Wachowskis, J. Michael Straczynski. Directed by: The Wachowskis.


THE PLOT:

In San Francisco, Nomi updates her blog, talking about her past life, raised by strictly religious parents:

"For a long time, I was afraid to be who I am. Because I was taught by my parents that there's something wrong with someone like me, something offensive... I was afraid of this parade, because I wanted so badly to be a part of it. So today, I'm marching for that part of me that was once too afraid to march, and for all the people who can't march, the people living lives like I did. Today, I march to remember that I'm not just a me - I'm also a we."

Nomi doesn't get very far on her Pride march, however. Her eyes meet those of a mysterious onlooker - Jonas. A second later, she passes out on the street.

She wakes in the hospital, with her mother (Sandra Fish) at her bedside, insistently calling her by her birth name - Michael. A surgeon, Dr. Metzger (Adam Shapiro), comes in to inform Nomi that she has been diagnosed with UFLS, Undifferentiated Frontal Lobe Syndrome, which means that her brain tissue is fusing together. He tells her she will experience increasing hallucinations and will be dead in six months unless they perform immediate surgery. But once Nomi is alone, Jonas "visits" her, telling her what she can already sense: Metzger is a liar, and she has to get out of this hospital as fast as she can.

In Mexico, Lito finds that Daniela (Eréndira Ibarra), the young actress he has been seeing for the sake of the press, is becoming seriously infatuated. He tries to dissuade her - But she shows up at his apartment, determined to spend the night. When she discovers his secret male lover, Hernando (Alfonso Herrera), she has a most unexpected reaction...

Meanwhile, in Chicago, Will discovers that camera recordings from the night of Angelica's death have been altered. Before he can follow up on that, however, a federal agent informs Will's precinct about a suspected terrorist: Jonas!


CHARACTERS:

The focus in this episode is on Will, Lito, and Nomi, with most of the others relegated to one or two scenes (in some cases, a wordless piece of a scene). This is a good choice, allowing us a chance to connect to those three characters without other plotlines getting in the way.

Will's interactions with Deshawn (William Burke), the boy he saved, show his innate decency, while also allowing him to reveal a bit about his past as a juvenile delinquent, rebelling against his career cop father (Joe Pantoliano). He also deals with fallout from saving Deshawn, as veteran officers at a cop bar shun him, and his father tells him that if Deshawn goes on to kill a police officer, then that's on Will.

The revelation that Lito is gay is... honestly no surprise at all, though his interactions with Dani are highly entertaining. Outside of the blog speech that gives this episode its title, Nomi actually gets the worst of the three spotlighted characters, being relegated to largely a victim role once she wakes in the hospital.


THOUGHTS:

The series' second episode is slower-paced, but it's also much more engaging. Because we aren't constantly being moved from one character and continent to another, there is a chance to genuinely connect with the episode's three focal characters. Will and Nomi brush up in different ways against the Big Secret Plot, but that is wisely not the focus. The mystery is teased in the gap in the police recording, and Dr. Metzger is balanced as both believably a medical professional but at the same time a sinister figure. But for the most part, the episode defers plot mechanics in favor of building the first episode's sketches into fully-rounded characters.

All three characters are likable, and some parallels are already emerging. Will is in the shadow of his father, just as we saw Wolfgang in the shadow of his own parent in the previous episode. Just as Wolfgang had an obviously terrible relationship with his father, we see Nomi's relationship with her mother - a mother who refuses to even acknowledge her by her current name, and who seems almost relieved to hear from Dr. Metzer that something is wrong with her child, as if clinging to the diagnosis as an explanation for sexual identity issues, and not just blackouts and hallucinations.

The three seem to exist in alternate genres. For this episode, Nomi is mostly in a family drama, attempting to stand up for her own identity even as circumstances pull her back to her estranged family. Will is in a paranoid conspiracy thriller, stumbling across altered evidence while being used to track down a falsely-dubbed "terrorist." Meanwhile, Lito is in a sex farce. The changes in tone complement each other, with Will's investigation keeping the thread of mystery alive, Nomi's family issues granting substance, and Lito's thread lightening the mood at the right moments.

Save for an end chase that leads into another effective cliffhanger, this is not a particularly exciting episode, and at this point I was starting to wonder if it should have been "Sense6" as neither the Kenyan bus driver nor the Korean businesswoman appeared to be receiving any script attention at all (that is very soon to change). But by rounding out three of the characters while still keeping the central mystery alive, I Am Also a We manages to engage emotionally in a way that the previous episode did not, marking a significant forward step.


Rating: 7/10.

Previous Episode: Limbic Resonance
Next Episode: Smart Money Is on the Skinny Bitch



Review Index