Wednesday, March 18, 2020

2-7. I Have No Room in My Heart for Hate

The group supports Sun at her parents' graveside.











Running Time: Approx. 67 minutes. Written by: Lana Wachowski, J. Michael Straczynski. Directed by: James McTeigue.


THE PLOT:

Riley journeys to Chicago alone for what she hopes will be a meeting with a potential ally - but that Will fears is at least as likely to be a trap set by Whispers. With the rendezvous set in his home town, Will is able to arrange for his old partner, Diego (Ness Bautista), to accompany her - But Diego is still upset with Will for his abrupt disappearance.

Capheus decides to accept the KDRP's offer to run for public office, while Kala discovers that her husband's company is deliberately shipping expired and useless medications to Asia and Africa. Sun has another encounter with the dogged Detective Mun (Sukku Son). Meanwhile, Nomi and Amanita stumble across video from a recent mass shooting - video that points to this shooting being anything but random...


CHARACTERS:

When Capheus tells his mother that he is running for office, she is upset. His father died after becoming involved in local politics, and she worries that her son may suffer the same fate - particularly as Capheus' reasons for wanting to improve his home country so closely mirror her late husband's. Ultimately, she gives Capheus her blessing, but pleads with him to be cautious.

Capheus has probably been mulling that decision since the offer was made, but the final push seems to be Kala's discovery that many of the drugs her pharmaceutical company are sending to Kenya are known to be useless. This isn't much of a revelation - this was all but acknowledged to be the case just two episodes ago. But seeing Rajan shrug this off, dismissing it as "how this business works... We all do it" appalls her, and leaves her questioning her decision to marry him.


THOUGHTS:

The Kala/Rajan scene ties closely to one of the series' main themes, of the evils of dividing people based on difference. Rajan justifies an outright murderous business practice as reasonable, because the drugs are sent to "faraway places." He adds that "we would never risk the lives of our own people," making explicit the separation - He will take care of his countrymen, people like him, but is less scrupulous when it comes to others. Much like the difficulties Lito is now experiencing with his career, now that his agents and former colleagues see him as "one of those people," rather than someone like them. Or Sun, who had to continue to train in secret because her father disapproved of her fighting - not just because she was a girl who was fighting boys, but because she committed the unpardonable sin of being too good at it - Too "different." Just as all of the sensates are "different" from "regular people" - and therefore, to be feared.

The parallels are on the nose, but still quite effective. Less effective are some of the on-the-nose moments specific to just this episode. Amanita's "fathers," a group of former Black Panthers, debate the role of toxic masculinity in mass shootings, with one of them outright stating that "violence has a gender." We're clearly meant to approve that comment, as Nomi instantly turns to Amanita to whisper to her how much she loves her dads. Later, Sun has an effective moment at her parents' graves, where the rest of the cluster gathers to support her. But first we get a rather forced flashback to her mother expressing her pride at her daughter's fearlessness and joy that "your life will not be like mine."

The dialogue in both of these scenes feels artificial, and these moments are why this episode earns my lowest score since the second season opener. It's not that Sense8 has never been heavy-handed... But it's rarely felt manufactured, and in this episode, in these moments, that is exactly the feeling I come away with.

Mind you, there's still plenty to enjoy.  Once the forced flashback is over, the verbal and physical sparring between Sun and the detective pull me right back in. I also thoroughly enjoyed the believable character banter amongst Will, Riley, and Diego, along with the almost Hitchcockian scene in which Riley revisits (for the first time, in person) the church in which Angelica killed herself.

But in a series that rarely missteps, and even more rarely delivers scenes that feel "false," those moments throw me out of the drama just a bit. Hopefully, those couple of iffy scenes will prove to be an anomaly in an otherwise excellent series.


Overall Rating: 7/10.

Previous Episode: Isolated Above, Connected Below
Next Episode: All I Want Right Now Is One More Bullet



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