Sunday, February 9, 2020

1-11. Just Turn the Wheel and the Future Changes.

Capheus' desperate bid to reclaim his future.











Running Time: Approx. 45 minutes. Written by: The Wachowskis, J. Michael Straczynski. Directed by: Tom Tykwer.


THE PLOT:

After her blackout at her father's performance, Riley finds herself in a hospital ICU. Yrsa visits her to call her a fool and tell her that she is going to die in this hospital. Meanwhile, Will, Nomi, Amanita, and their hacker friend Bug use their skills to buy time for Riley while they figure out what they will do next.

In Kenya, the day has come - The day Capheus has been ordered to bring Silas' daughter to the Superpower Gang. Having built up his courage by watching Van Damme movies, Capheus delivers the girl not to the gang, but to his friend Jela to protect, with instructions for Jela if he fails to return. Capheus clings to a vain hope that he might yet reason with the gang's leader, but the situation quickly explodes into violence - with Capheus relying on Sun's martial arts skills and Will's police training to keep himself alive, before in the end relying on his own strength and driving skill.

Meawhile, Wolfgang hatches a plan to save Felix from his uncle's wrath, while Sun learns that her last hope of freedom is gone...


CHARACTERS:

The benefit of the slow burn approach this series has taken is that, when an action-heavy episode arrives, even the most over-the-top sequences feel like a reasonable progression of the character's journey. This was true of Wolfgang's rocket launcher pyrotechnics in the previous episode, and it's true of the violent martial arts sequence-turned-car chase that forms the centerpiece of this episode. The sequence itself would be quite at home in a big summer action film - But the time we have spent following Capheus' journey to this point (and following Will and Sun, who aid him) lends the proceedings a certain weight. All the actors are excellent, but special mention should be made for Aml Ameen. He anchors this plot thread, and invests so much honest determination in his character that even when his bus is playing chicken with a villain on a motorcycle, it doesn't feel silly - Or at least, we're too invested in his emotions and well-being to laugh even when it does feel silly.

In the other threads, we see Will mentally perched at Riley's bedside as she lies in the ICU. We sense, as Jonas does, that his only thought is reaching her physically as fast as possible - a determination that could be too easily manipulated by Whispers. Bug proves that his friendship with Nomi is genuine when he delivers the very hacking equipment he sold her earlier, stolen straight from police custody. Wolfgang is pure cold calculation as he prepares to use violence to save his friend, while the normally reserved Sun finally explodes with rage at her situation.


THOUGHTS:

Running a mere 45 minutes, Just Turn the Wheel and the Future Changes is the shortest episode of the season. The reason for that is simple; this episode is the most direct, lean, and fast-paced of the season to this point. After a few quick scenes setting up the state of the ongoing arc, the focus settles on Capheus and his plan to reclaim his life from both Silas and the Superpower Gang. From the moment he drives his bus to the warehouse that is the gang's headquarters, the remainder is basically a straight adrenaline shot.

The episode is directed by Tom Tykwer, who collaborated with the Wachowskis on the (in my opinion) unfairly maligned Cloud Atlas. Though not exactly an action film, that movie did feature a few breathless action set pieces, and that same energy is in evidence during the central part of this episode, the tension and excitement punctuated by moments of startling violence. I also very much appreciate that, while Sun and Will provide their skills to help Capheus survive a seemingly hopeless scenario, the final moments of the action see Capheus relying solely on his own strength and skill set.

Most of the other strands are there only long enough to advance those bits of plot, but I did enjoy Bug's reappearance. Michael X. Sommers' performance is a great deal of fun, the character being convincingly sleazy enough to be instantly identifiable as a criminal, and yet likable enough that you can actually believe Nomi's fondness for him. His dubbing Amanita and Nomi "angels" after Charlie's Angels is an amusing running gag at this point, though it may have the potential to become wearisome if it persists.

I love the way the episode ends. Capheus has taken his decisive action, and Wolfgang is about to move forward to his own showdown. But after all the action and violence, and the looming threat of Whispers and his manipulations, we don't end on any of that. Instead, we cut to Sun, talking with Kala from her cell. Her voice is cold, her eyes angry as she puts words to her newfound determination to escape her apparently inescapable fate:

"This is what life is. Fear, rage, desire, love. To stop feeling emotions, to stop wanting to feel them, is to feel death... I take everything I am feeling, everything that matters to me. I push all of it into my fist, and I fight for it."

When the episode cuts to black a second after that declaration, it's honestly a surprise that it ends there - But I can't think of a better place to leave off before the finale.


Overall Rating: 9/10.

Previous Episode; What Is Human?
Next Episode: I Can't Leave Her



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